In 2008 I began an experiment using my sculptural geometric space as the basis for imagery I painted with glaze on the surface of platters. Then in 2012, I started my sectional wall works that explore this abstract world in a larger format with a freer major shape. I also include low-relief dimensional elements that enhance and counterpoint the 2 dimensional illusions.
Although the work is abstract in form, my objective is to create an image that gives the viewer a sense that some real dynamic is going on, that things are moving and are part of an event.
What The Clay Studio mean to me:
"The first building our realtor showed us turned out to be the first home of The Clay Studio. It was perfect. A three story concrete, factory-like structure, except it was way too large for the six of us, five of my students from Moore College of Art & Design and myself. They had just graduated and needed a studio. I needed one too so we joined forces and went looking.
After checking out the building thoroughly we couldn't get over the fact that the high-ceilinged basement was perfect for a gas-fired kiln, which we wanted. And there was a little space between the buildings that could hold the propane tanks. This was beyond what we had expected to find.
Within a year we had 18 members. Some of which would grow to be lifelong friends. We came from different backgrounds but we all loved putting The Clay Studio together. I was happy working next to others working on their individual clay projects. And the team effort to get our gas kiln built was especially exciting and rewarding. We all revealed the uniqueness of our shared experience as well as having a place to settle in and make things with clay.
It’s amazing now to see what has grown from such small beginnings. I feel fortunate to have played a part in its conception."
